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Creator: Sarah Rothschild, Sarah Rothschild; Trish Sie; country: USA; 2020; 6 of 10; Duration: 1 hour 40 min
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The sleepover full movie. The sleepover. The sleepover movie. The sleepover rating. The Here is the link The Sleepover For Free online Online'2020' Full HD Stream. A lot or a little? The parents' guide to what's in this movie. Family and friends do what they can to help each other and learn to appreciate each person's unique skills and talents. Courage and teamwork are displayed. Every person has their own talents and strengths. Crime doesn't pay. Positive Role Models & Representations Parents care for their kids, try to protect them from perceived dangers, sometimes going overboard with restrictions their children rebel against. Kids break rules to help their parents when they're in danger. Some kids misuse social media. Although Margot has lied about her past to her family, her love for them is real. Despite her own criminal history and questionable skills, she encourages her kids not to break the law. Criminals (mostly) get their just ends. Adults are threatened at gunpoint and knifepoint, engage in hostage taking and fights that include thrown objects, sedative injections, broken windpipes, handcuffing, hits and kicks. The kids find a secret stash of weapons, including a pen that shoots lasers, and take potentially dangerous rides in cars and boats. Kevin has his head hit against a hard surface by a woman suspicious of him. He throws a toy sword at Henry's nose and the kids tie him to a chair. A dog is sedated. Margot threatens to sabotage the brakes of a mean middle schooler's family car. Kevin looks at Mim's bottom as she climbs over him to get in the car; his sister says, "Don't be a perv. " After helping Mim swim, Kevin tells Lewis he "felt boob on my back. " Bed-wetting, special underpants, prostates are discussed. Margot's ex-fiancé kisses her in front of her husband. Ron and Margot, a married couple, kiss. "Crap. " "Sucks. " "Boob. " "Poop. " "Perv. " "Turds. " "Pee. " "Boogers. " "Nerd. " "Loser. " "Jeez. " "Oh my God. " "Oh my Lord. " Drinking, Drugs & Smoking Teenagers might be drinking in the background of a party scene where no parents are home. What's the story? Margot ( Malin Ackerman), Ron (Ken Marino), and their kids, teen Clancy (Sadie Stanley) and middle schooler Kevin (Maxwell Simkins), appear to lead a happy if somewhat boring suburban life in THE SLEEPOVER. But all is not what it appears. When Margo and Ron disappear one night, it's up to the kids -- and their friends Mim (Cree Cicchino) and Lewis (Lucas Jaye) -- to track them down. It turns out that Margot has a much more exciting and secret former life, not to mention a hunky ex-fiancé ( Joe Manganiello), and she has been cajoled into one last high-profile adventure with her former acquaintances. Ron, an affable yet clumsy pastry chef, is brought along as collateral. The kids will embark on the adventure of their short lives as they race against time to save the adults.
The sleepover movie netflix. The sleepover rotten tomatoes. The sleepover film. The sleepover netflix trailer. The sleepover soundtrack. The sleepover cast. The sleepover cast 2020. The sleepover book. The sleepover club pjs. Our family really enjoyed. Watch it with your kids. Don't read bad reviews.
The sleepover on netflix. The sleepover 2020. The sleepover bandits. The sleepover netflix movie. Sofia the first sleepover. Bluey the sleepover. Netflix the sleepover. Critics Consensus No consensus yet. 70% TOMATOMETER Total Count: 20 48% Audience Score User Ratings: 66 The Sleepover Ratings & Reviews Explanation Other Movies The Sleepover Photos Movie Info Over one wild night, two siblings learn their overprotective mom is a highly trained former thief abducted for one last job -- and only they can save her. Rating: NR Genre: Action & Adventure, Comedy Directed By: Written By: On Disc/Streaming: Aug 21, 2020 Runtime: 102 minutes Studio: Netflix Cast News & Interviews for The Sleepover Critic Reviews for The Sleepover Audience Reviews for The Sleepover The Sleepover Quotes Movie & TV guides.
The sleepover club cast. The Sleepover is,you know what im tired of saying this both mentally and fisiocly all the time and im also tired of wasting my time on a films like this one, i know that they are aimed at very young children but there isnt a excuse if you are still making a very bad,cliched and stupid film that will root and dumb down kids aracters are of course very annoying expecely father character he was so stupidly acted that it was painful to watch him on screen,our bad guys are also very bad and they didnt do nothing,The Sleepover was a bad film that will give a wrong lessons to many kids.
The Sleepover Official poster Directed by Trish Sie Produced by Mickey Liddell Pete Shilaimon Written by Sarah Rothschild Starring Sadie Stanley Maxwell Simkins Cree Cicchino Lucas Jaye Ken Marino Joe Manganiello Malin Åkerman Music by Germaine Franco Cinematography Conrad W. Hall Edited by Jonathan Schwartz Production companies LD Entertainment Distributed by Netflix Release date August 21, 2020 (United States) Running time 100 minutes Country United States Language English The Sleepover is a 2020 American action comedy film directed by Trish Sie, from a screenplay by Sarah Rothschild. It stars Sadie Stanley, Maxwell Simkins, Cree Cicchino, Lucas Jaye, Ken Marino, Joe Manganiello and Malin Åkerman. The film was released on August 21, 2020 by Netflix. Plot [ edit] Clancy Finch is invited by her crush Travis Schultz to a party at his house. Her brother Kevin is caught dancing in the restroom by some older students who record him dancing and bully him, but Clancy's and Kevin's mother Margot, the lunch monitor, scares them away. The bullies upload a remix video of Kevin dancing and Margot admonishing them to YouTube, where it quickly goes viral, gaining over two million views. Kevin, Clancy, and her friend Mim are picked up by their father Ron, an awkward pastry chef. Clancy asks her parents if she can go to Travis's party and they both say no, leading to Clancy insulting her mother and getting grounded. Later, Kevin's friend Lewis comes over for a sleepover in a tent in Kevin's backyard. That night, Clancy and Mim sneak out to go to the party. They first scare the two boys causing Lewis to runs into the house to pee. While in the bathroom, he notices a man and a woman break into the house and force Margot (whom they call "Mathilde") and Ron to come with them under threat of death. Lewis runs back to the tent and tells the others what happened. Not believing him, the four run back inside until they notice United States Marshals Agent Henry Gibbs sneaking into their house. Believing him to be an intruder, they attack him and tie him to a chair. He tells the kids that Margot was in the Witness Protection Program because she turned in the crime boss of the crime syndicate she was in but she has now been located due to the viral video. They follow clues that Margot left them when she was taken away, leading them to a storage unit that turns out to be a secret spy center. They take a self-driving spy car to Travis's party. Travis agrees to take them to Downtown Boston in his family's boat, but they are stopped by the U. S. Coast Guard and Travis has a revoked license. The four jump off and swim away, then reach the building where they believe there parents are located, but instead find a secret passageway behind a painting of Margot's favorite poet W. B. Yeats leading them to the hideout of Margot's best friend Jay, who tracks Margot's GPS chip to an extravagant gala. Jay tells the kids to stay, but Clancy handcuffs her to a pipe so they can leave. At the gala, Ron, Margot, and Margot's criminal ex-fiancé Leo, who was also in WITSEC, are attempting to steal Queen Elise's crown by poisoning her, but when they meet her, Ron accidentally ingests the poison and vomits everywhere. The gala security then detains them, but when they are about to be sent to the FBI, Margot and Leo knock out all the security guards and they take Ron to the main floor, where they find Clancy, Kevin, Mim, and Lewis, who got in by pretending to be live musicians. The seven run away into Leo's safe house. At the safe house, Leo reveals that he was never in witness protection but is actually the new head of the syndicate. His associate Elise holds them at gunpoint and calls the police to frame them for the theft, but Ron throws a wolf spider at her to make her drop her gun and then uses it to shoot the chandelier onto her. Margot hot-wires a car that Ron uses to drive Leo into a bunch of construction barrels, then Margot kicks the crown out of his hands and Clancy catches it. The Boston Police arrest Leo and Henry drives everyone back to the Finch house, where Travis returns Clancy's jacket and Lewis's mother picks him up. Everyone returns to their normal lives. Cast [ edit] Sadie Stanley as Clancy Maxwell Simkins as Kevin Ken Marino as Ron Cree Cicchino as Mim Lucas Jaye as Lewis Karla Souza as Jay Enuka Okuma as Elise / Dark Figure Erik Griffin as Henry Gibbs Joe Manganiello as Leo Malin Åkerman as Margot Harry Aspinwall as Baxter / Pizza Guy Matthew Grimaldi as Travis Schultz Marissa Carpio as Mrs. Patoc Savanna Winter as Emma / Mean Girl Production [ edit] In August 2019, it was announced Malin Åkerman, Ken Marino, Joe Manganiello, Erik Griffin, Karla Souza, Enuka Okuma, Sadie Stanley, Maxwell Simkins, Cree Cicchino and Lucas Jaye had joined the cast of the film, with Trish Sie directing from a screenplay by Sarah Rothschild. LD Entertainment will produce the film, while Netflix will distribute. [1] Filming [ edit] Principal photography began in August 2019. [2] [3] Release [ edit] It was released on August 21, 2020 on Netflix. [4] Reception [ edit] On review aggregator website Rotten Tomatoes, the film holds an approval rating of 70% based on 20 reviews, with an average rating of 6. 4/10. [5] Metacritic assigned the film a weighted average score of 44 out of 100, based on eight critics, indicating "mixed or average reviews". [6] References [ edit] ^ D'Alessandro, Anthony (August 26, 2019). "Ken Marino, Joe Manganiello, Malin Akerman & More Are Having A 'Sleepover' With Netflix". Deadline Hollywood. Retrieved August 29, 2019. ^ Slane, Kevin (August 7, 2019). "Netflix will begin filming another movie in Massachusetts this month, this time on the South Shore".. Retrieved August 29, 2019. ^ Barbuto, Dana (August 8, 2019). "Filming for Netflix action-comedy, "The Sleepover, " starts Aug. 15 at Hanover High School". South Coast Today. Retrieved August 29, 2019. ^ Mallenbaum, Carly (July 22, 2020). "Netflix in August 2020: 'Legend of Korra, ' 'Jurassic Park, ' Jamie Foxx's 'Project Power ' ". USA Today. Archived from the original on July 22, 2020. Retrieved August 21, 2020. ^ "The Sleepover (2020)". Rotten Tomatoes. Retrieved August 25, 2020. ^ "The Sleepover reviews". Metacritic. Retrieved August 24, 2020. External links [ edit] The Sleepover on IMDb The Sleepover on Netflix.
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Mlp the sleepover part 1. Lps the sleepover. The sleepover review. The sleepover club. The sleepover game. Everyone here rated this way too harshly! The Sleepover definitely isn't anything special, but it's not half bad. I think I'm a bit older than the target audience here and yet I enjoyed it far more than I expected. It's super cheesy, but sometimes you aren't looking for a thriller. If you're looking for a movie to watch with your kids and still get a kick out of it, I'd recommend it. It's not a non-stop action R-rated spy movie, don't watch it if that's what you're looking for.
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Thoroughly enjoyed this one, as did the teenage boys. Obviously there's some major logical plot holes, but if you suspend belief, and take it for what it is - a fun, light-hearted, semi-action, family movie - then you'll enjoy it.
The two young boys are quite comical, and add a lot to the movie, along with the dad.
Will watch this one again.
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The Malin Akerman- and Joe Manganiello-starring original is fine enough for the whole family, but feels almost instantly forgettable. Middle schooler Kevin (Maxwell Simkins) is prone to exaggeration, cooking up fanciful lies to sell to his family, his friends, even his teachers, all the better to imagine a world in which his suburban life isn’t quite so boring. Case in point: Trish Sie ’s “ The Sleepover, ” which follows Kevin and his seemingly cookie-cutter family, opens with young Kevin regaling his class with a beloved tale of his own family history. It is, in actuality, the plot of the Ridley Scott film “The Martian. ” That Kevin’s life is actually about to become much crazier than he could possibly dream of is just one of the many generic charms of Sie’s film, a family-friendly action-comedy fit for the entire clan, but never ambitious enough to break out of its strictly set tropes. Kevin may be a ham, but his big sister Clancy (Sadie Stanley) can’t help but be jealous of her sibling’s ability to embrace his silly self — Kevin is the kind of kid who can put on a full-scale dance performance in a school bathroom, just for the fun of it — because she’s too scared to break out of her “band geek” shell. Still, neither sibling can shake the feeling that just nothing is happening in their lives, beyond their wacky best pals and regular school drama. Their dad Ron (Ken Marino) is a dweeby pastry chef, and their mom Margot ( Malin Akerman) is so uptight she won’t even let 15-year-old Clancy have her own cell phone. Thank the power of a viral video — that bathroom-set dance which seems bizarre in practice, and that’s before it turns into one heck of a forced plot device — for upending everything. Margot, it turns out, is not just another housewife, but a former super thief who has long been in witness protection, and who is just about to be found out by her old gang. When she and Ron are snatched up and forced to go after a glitzy prize, all alongside Margot’s hunky ex Leo (Joe Manganiello), who has also spent the last 15 years in witness protection (and thinking about Margot the entire time), the kids are suddenly thrust into the role of pint-sized avengers. “The Sleepover” CLAIRE FOLGER/ NETFLIX Softer and safer than a close cousin like “Adventures in Babysitting, ” “The Sleepover” zips between its adult storyline and the wacky hi-jinks of the kids, scarcely noticing it’s the younger set who are far more amusing to watch. Sure, Malin Akerman kicking butt in a sparkly gown is fun, and Joe Manganiello trying his damdest to prop up Ken Marino in the throes of scatological nonsense is certainly amusing, but for an ostensible kids movie, “The Sleepover” is unwilling to lean on, well, its kids. The inevitable bonding that happens between Clancy and Kevin and their respective best friends — a scene-stealing Cree Cicchino as Clancy’s sassy BFF Mim and Lucas Jaye as Kevin’s amusingly uptight bestie Lewis — is pure formula, but that doesn’t mean it’s not sweet to watch unfold. And for all the apparent danger being lobbed at the adults, there’s never any sense that anything bad will happen to the “four spunky kids” (as world-wise Mim brands them), despite the real meanies trying to entrap their parents. It’s cute, and also formulaic and forgettable in a way that, in a franchise-obsessed world, kind of feels refreshing. Then, of course, it’s just generic. The screenplay, from first-timer Sarah Rothschild, does show some sparks of humor, from a gag centered on Paula Cole’s haunting hit song “Where Have All the Cowboys Gone? ” to just about every joke Cicchino lands with ease, but it’s muffled by a rigid adherence to formula and expectation. Nothing about “The Sleepover” will surprise, and at its best, that’s a comfort; at its worst, it will put you right to sleep. Grade: C+ “The Sleepover” will be available to stream on Netflix on Friday, August 21. Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.
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The sleepover netflix. The frantic adults and kids in Trish Sie ’s “The Sleepover” are often screaming, but that doesn't mean they’re getting anywhere. You’d think that a story about a mom's cool secret and kids breaking curfew would be a lot more fun, especially with a charismatic cast like this, and yet “The Sleepover” is mostly about killing time, specifically that of your own. Malin Akerman plays Margot, a lunch duty volunteer at her kids’ school, and a mom with a secret past of being a master thief. She’s been in witness protection for years, something that her pastry shop owner husband Ron ( Ken Marino) and kids find out when she is kidnapped at gunpoint from their Cape Cod by her former employer. With clueless Ron in tow, Margot is forced to perform one last big heist with her former partner and ex-flame, Leo ( Joe Manganiello). It’s up to Clancy ( Sadie Stanley) and her younger brother Kevin ( Maxwell Simkins) to save their parents, with the help of their two friends: the social media-obsessed Mim ( Cree Cicchino) and the uptight Lewis ( Lucas Jaye). “The Sleepover” knows how to get you to like everybody at first, because it is initially funny and charming with its characters. Kevin’s not-so-sneaky attempt at plagiarizing “ The Martian ” for a family history project is just as admirably goofy as his dance scene in the bathroom; Clancy wins us over by being a great cellist, but one with stage fright. And their parents are sweet too—Marino has a nice moment with Clancy in which his dorky way of parenting proves to be as sweet as the cupcakes he leaves out on the kitchen table at night. It's the adventure itself that proves to be less than, starting with the big reveals about mom. In the process of trying to find where she went, the kids come across a whole bunch of her gadgets and costumes in a storage locker. But don’t get attached to the gizmos—maybe we’ll see them in a sequel, but “The Sleepover” isn’t about showing off anything that makes it enticing, so much as putting it all through some old tricks. An automatic-driving car is then used for a scene where the kids are screaming for the lives; the same with a laser that later blows up a couple cars in a different car-oriented, screaming scene. It's an easy family comedy trick: if a sequence is only kind of funny, just make everybody scream throughout. You root for these kids, not just in their goals, but for them to have an adventure. The lazy plotting of "The Sleepover" gives them a mild one that consists of a lot of traveling and weak mysteries, like watching characters following a straight line that only sometimes zigs or zags. The action for the kids makes for underwhelming sequences of getting from Boston from Cape Cod, and obtaining colonial disguises along the way. The things that they learn about their mother in the process become more innocuous than they are surprising—she really loved William Butler Yeats, and she had friends and a flame before having kids. If these kids somehow had access to a helicopter, or a portal, they’d be able to shave off the time “The Sleepover” wastes in simply getting them to the big event, contrivances that would also fit in with everything else here. And despite being forced into one last heist that involves stealing a crown, the adults aren’t given much to do either. Marino and Akerman are also warm and playful, but while they clearly have an ability to wink at the formalities of adulthood (as on Marino’s “The Bachelor” parody series “Burning Love”) once the story puts them into action, it’s tired jokes about Marino’s terrible inability to keep up a disguise, especially when it comes to a French accent. And then there’s Manganiello, another comedically gifted (remember him dressing up like Pee-wee Herman in “Pee-wee’s Big Holiday”? ) who is left with repeated jokes about his muscles. Just like the wound-up performances from the kids, the adults are clearly improvising their way through the movie, and the simple volley between uptight and clumsy characters becomes innocuous. Sie shows slightly more spark with scenes where Akerman and Manganiello do some hand-to-hand combat, but even here their lightness becomes too obvious. Margot gets a butt-kicking moment in the third act, but setting it to "I Want Candy" feels uninspired, as sugary as this movie is supposed to be. And then an attempt at a minivan chase scene through Boston only rubs in the movie's indifferent construction, with most of the action taking place in the car, emphasizing how much the action is unfolding mostly with the help of the green screen and yes, screaming actors. It’s the spark of an idea, given an execution that's strictly mild. “The Sleepover” seems comprised entirely of such moments, and you could spend far more time thinking about what is underwhelming about it than what's worthwhile. Now available on Netflix. Nick Allen Nick Allen is an Assistant Editor at and is a member of the Chicago Film Critics Association. The Sleepover (2020) 103 minutes 8 minutes ago 11 minutes about 2 hours about 5 hours ago.
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